Held at Museum voor Hedendaagse Kunst, Ghent 21 Feb. VIIe Internationaal Mixed-Media Festival 1977, Ghent: Stichting Logos, 1977.held at Wissenschaftszentrum, Bonn-Bad Godesberg 12 Nov. Deecke, Bonn-Bad Godesberg: Deutschen Akademischen Austauschdienst, 1976, pp. Held at Koninklijke Academie voor Schone Kunsten, Ghent 26. 6° Internationaal Mixed-Media Festival 1976, Ghent: Stichting Logos, 1976.Betty Turnbull, Newport Beach, CA: Newport Harbor Art Museum, 1975. Sounds: 4 Lainoc: Sound/Environments by 4 Artists, ed.Inge Baecker, Düsseldorf: Städtische Kunsthalle Düsseldorf, 1975, 75 pp. Objekte und Konzerte zur visuellen Musik der 60er Jahre, ed. Texte, Bilder, Environment, Bremen: Kunsthalle Bremen, 1972, 24 pp. Jan Martinet, Amsterdam: Stedelijk Museum, 1971, 44 pp. Geluid Kijken: drie audio-visuele projekten / Sight Sound: Three Audio-Visual Projects, ed.Ray Pierotti, New York: Museum of Contemporary Crafts, 1969, pp. held at Nelson Gallery/Atkins Museum 4 Nov. Coe, Kansas City, MO: The Nelson Gallery, 1966, pp. Sound, Light, Silence: Art That Performs, ed.Nicolas Calas, New York: Cordier & Ekstrom, 1964, pp. Miguel Molina Alarcón, Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde, 2008. Grapefruits: A Fanzine on Female* Composers and Sound Artists, 4+ issues, Düsseldorf: Institute for Music and Media-RSH Düsseldorf, since 2019.Disclaimer, Melbourne: Liquid Architecture, since 2019.Print journal that engages with audio culture and sonic art in New Zealand. Writing Around Sound, 3+ issues, since 2015.China: the Sonic Avant-Garde, 2 issues, 2005-2006.Sachiko Hayashi, Stockholm: Fylkingen, since 2000. Rasa Šmite, Raitis Šmits, et al., Riga: E-Lab and Xchange Network, quasi-annually since 1998. Sound Arts: Xebec SoundCulture Membership Magazine, Kobe: Xebec Corporation, 1994-1998.Shaun Davies, Annemarie Jonson, et al., Newtown, NSW: Contemporary Sound Arts, 1992 1995 1996 1999. Sound Image: A Magazine of Aural and Visual Arts, 3 vols., Deerfield, MA: Sound Image Inc., 1975-77.Suggestions for omitted works are also appreciated. You are greatly welcome to contribute to the reader by uploading any missing scans to the wiki or contacting the editor (db at monoskop dot org). A number of included publications is already available online thanks to the publishers, fans, researchers or authors themselves, however we are still missing many of the early writings, the out of print and hard to find catalogues, journals and monographs. The following bibliography is made to be an online reader on sound art as well. The works are in English unless noted otherwise. For further bibliographies see also the entries on Radio art, Sound poetry, Field recording, Electroacoustic music and Noise.
Publications on individual artists are included in their respective pages. See also the sections Magazines, Catalogues and Monographs below. From The Pages Of Experimental Musical Instruments series, 8 volumes, Experimental Musical Instruments, 1986-1993.To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice.
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